The idea for Yoko's Dogs came about in 2006 around a small tin 
table      in Montreal when the four of us, living in different places 
and time zones,      got together and decided to explore collaboration 
as a way of expanding our individual practice. Over the first      few 
months we wrote and revised, and wrote some more; read and studied      
and discussed the traditions of Japanese-style linked verse, all via 
email.      We chose a system of composition and eventually decided that
 for readers      the mechanics of this system should disappear, the way
 forms for moulded      concrete are knocked away once the work is 
finished.
In 2008, we met for a three-day writing party in Marshland, Ontario. Here we composed our first site-specific poem and substantially revised earlier work. At this meeting we also found our name, in one of our earliest images:
Yoko's house is dark, her dogs
tied in front, too cold to bark. Since then we have continued to work from distant places, meeting annually to compose and revise. With the publication of our first full-length collection, Whisk (Pedlar Press, 2013), we have begun to explore polyphonic composition and performance.
In keeping with tradition, which we happily and radically break in order to invent anew, our practice is rigorous, exacting, challenging, and exuberant: arf for arf's sake!
Jan Conn first encountered Basho’s ghost while 
following his trail in Japan on her bicycle in 1982. She spends a lot of
 time considering the natural history of mosquitoes in Brazil and Peru.
Mary diMichele is a writer and soon-to-retire teacher. She loves dogs, 
her human friends and collaborators of Yoko’s Dogs, and her canine 
family, Lupa and Arthur. She lives in English and French in 
Montreal. Recent publications include two senryu in Nick Virgilio Writers House POETRY anthology, Volume 1, 2019.
Susan Gillis writes from rural Eastern Ontario where she also wanders, swims, snowshoes, laughs, cooks, meditates, and collaborates with her Yoko's Dogs family and other writers and musicians. Yellow Crane (Brick Books, 2018) is her most recent book.
Jane Munro
 
In 2008, we met for a three-day writing party in Marshland, Ontario. Here we composed our first site-specific poem and substantially revised earlier work. At this meeting we also found our name, in one of our earliest images:
Yoko's house is dark, her dogs
tied in front, too cold to bark. Since then we have continued to work from distant places, meeting annually to compose and revise. With the publication of our first full-length collection, Whisk (Pedlar Press, 2013), we have begun to explore polyphonic composition and performance.
In keeping with tradition, which we happily and radically break in order to invent anew, our practice is rigorous, exacting, challenging, and exuberant: arf for arf's sake!
Susan Gillis writes from rural Eastern Ontario where she also wanders, swims, snowshoes, laughs, cooks, meditates, and collaborates with her Yoko's Dogs family and other writers and musicians. Yellow Crane (Brick Books, 2018) is her most recent book.



